| SCC2FS207 | Media Objects/Media Theory | 4 |
| SCC2FS206 | Basics of Filmmaking | 4 |
| SCC2FS204 | Basics of Visual and Sound Images | 4 |
| SCC2FS106 | Cinema in India: Nation and Region | 4 |
| SCC2FS108 | Evolution of Cinema as Art II | 4 |
| SCC2FS101 | Evolution of Cinema as Art II | 4 |
| SCC2FS104 | Facets of Indian Cinema | 4 |
| NA | Introduction to Film Theory | 4 |
| SCC2FS105 | Images and Signs in Cinema | 4 |
| SCC2FS201 | Lineages of the Contemporary | 4 |
| SCC2FS205 | Texts and Concepts in Media Studies: Remediation | 4 |
| SCC2FS207 | Media Objects/Media Theory | 4 |
| SCC2FS101 | Psyche and Screen | 4 |
| SCC2FS202 | Subject and Sensorium | 4 |
| SCC2FS207 | Sound and Music in Cinema | 4 |
| SCC2FS102 | Sequence and Script Analysis | 4 |
| SCC2FS102 | Sequence and Script Analysis | 4 |
| SCC2FS400 | Dissertation | 8 |
| SCC2FS107 | Stardom, Industry, Commerce | 4 |
| SCC2FC301 | Contemporary Critical Theories I: Genealogies of Critical Theory | 4 |
| SCC2FC302 | Contemporary Critical Theories II: Understanding Cultural Studies | 8 |
| SCC2FC303 | Contemporary Critical Theories III: Discourses on the ‘Minor’ and the ‘Marginal’ | 8 |
| SCC2LA212 | Crafting Poems | 4 |
| SCC2LA203 | Forms of Autobiographical Writing | 4 |
| SCC2LA106 | Literary Journalism | 4 |
| SCC2LA205 | Telling the Tale | 4 |
| SCC2LA204 | Lyric Poetry & Society | 4 |
| SCC2L 103 | Concept Development and Experimentation 1 | 4 |
| SCC2LA102 | Premodern Literary Cultures of India | 4 |
| SCC2L103 | Concept Development and Experimentation 11 | 4 |
| SCC2L103 | Concept Development and Experimentation 111 | 4 |
| NA | Contexts and Conditions of Production: Considering Cultural Infrastructures | 4 |
| SCC2LA802 | Elements of Folk Imagination | 4 |
| SCC2LA210 | Postcolonial Reverb: Connecting the Dots, Investigating the Imperial Imagination | 4 |
| SCC2LA206 | Sites of Reading and Writing: The City in/& Literary Production | 4 |
| SCC2LA400 | Dissertation | 8 |
| SCC2LA104 | Modern Literary Cultures of India | 4 |
| SCC2LA | Strategies of Writing | 4 |
| SCC2LA104 | Modern Literary Cultures of India | 4 |
| SCC2DP104 | Embodied Practice: Approaches to Form and Movement | 4 |
| SCC2DP203 | Embodied Practice: Critical Explorations | 4 |
| SCC2DP101 | Awareness, Observation, Description: Reading and Writing Dance | 4 |
| SCC2DP400 | Dissertation and Internship | 4 |
| SCC2DP103 | Dance Histories, Ecologies and Identities | 4 |
| SCC2DP106 | Practice in Context 2 | 4 |
| SCC2DP105 | Practice in Context 1 | 4 |
| SCC2DP204 | Embodied Practice: Technique and Pedagogy | 4 |
| SCC2DP202 | Investigating Choreographic Principles, Methodologies & Form | 4 |
| SCC2DP201 | Body Space Time | 4 |
| SCC2DP102 | Embodied Practice: Fundamental Movement Principles | 4 |
| SCC2PS107 | AURALITY AND MOVEMENT IN POPULAR PERFORMANCE | 4 |
| SCC2PS201 | BODY IN PERFORMANCE | 4 |
| SCC2PS101 | HISTORY AND HISTORIOGRAPHY OF PERFORMANCE-1 | 4 |
| SCC2PS101 | HISTORY AND HISTORIOGRAPHY OF PERFORMANCE- II | 4 |
| SCC2PS206 | Digital Theatre | 4 |
| SCC2PS209 | Musical Theatre | 4 |
| SCC2PS105 | Performance as Research | 4 |
| SCC2PS203 | Post Dramatic Theatre | 4 |
| SCC2PS106 | Reading and Decoding Performance | 4 |
| SCC2PS204 | Space & Spectatorship | 4 |
| SCC2PS102 | THEORIES OF PERFORMANCE - I | 4 |
| SCC2PS104 | THEORIES OF PERFORMANCE - II | 4 |
| SCC2PS205 | Uses of Tradition(S) in Performance: Indian Perspective | 4 |
| SCC2VA113 | Explorations in Concept and Media III: Community Art/Collaboration/Public Art | 4 |
| SCC2VA207 | Art and Public Response | 4 |
| SCC2VA102 | Art and Technology | 4 |
| SCC2VA206 | The Concept of Avant-Garde and Manifestos | 4 |
| SCC2VA201 | Critical Perspectives of/on Modern Art | 4 |
| SCC2VA202 | Critical Thinking & Writing | 4 |
| SCC2VA114 | Explorations in Concept and Media IV: Curatorial Investigation | 4 |
| SCC2VA203 | Examining Normalcy | 4 |
| SCC2VA111 | EXPLORATIONS IN CONCEPT AND MEDIA I (Rethinking Practice) | 4 |
| SCC2VA112 | EXPLORATIONS IN CONCEPT AND MEDIA II (Archival Investigations) | 4 |
| NA | The Perceiving Eye: Everyday Life and the Contemporary | 4 |
| SCC2VA204 | Queer Theory, Activism and Cultural Practices | 4 |
| SCC2VA104 | TECHNICAL EXLORATIONS IN DIGITAL MEDIA I | 4 |
| SCC2VA106 | TECHNICAL EXLORATIONS IN DIGITAL MEDIA II | 4 |
| SUS1EL918 | Basics of Performance Making | 4 |
